March 15: Performance and Direction

So yesterday Where is Melissa? came to fruition. Quite frankly it shot passed faster than I could have imagined... I was surprised to find out the run time was almost 2 hours. That however is how these things are. Our perception of time is dependent on the amount of time we have perceived. I've gone through what? 3 months of Where Is Melissa? so what the hell is 2 hours in comparison?

However as a performance, I believe ii was stellar. There were mistakes, but we worked around them. We put out everything we had on that stage, and I do feel the urge to declare the Where Is Melissa? premier a massacre, 'cause we all killed it. However I'll have to wait till tomorrow for the director's words on that matter.

In productions like this however I cannot overlook the importance of performance and direction. Performers are the medium through which the idea trapped in a script or some guy's head will be released to the world. Their performance will determine the reception of these ideas. Without performers a play is just literature, and while literature has magnificence and power in itself, performance is the art of giving life to that power and magnificence, and plays are in a way one of the only literary forms which allow this without hindrance (we have all been disappointed by book-inspired movie at least once in our lives). Even more interesting is that quality performance depends as much on the literature as it does the performer. If a character is badly written, it doesn't matter how well you play him/her... he/she is still a bad character.

However there lies yet another mediation between script/idea and the world: direction. Performers, as good as they may be, need direction. I assure you that if a bunch of world class performers were given a script and told "act" you would get something ranging from shitty to decent. What you would not get however is excellence. Direction offers the possibility of excellence in performance. Through (good) direction the performers are molded and set, their understanding of their roles and characters is deepened and broadened., understanding of the performance space is improved. In the end, you have performers uniquely tuned for that specific performance. That is where excellence comes from...

Yesterday, I believe there was plenty of performing excellence, however the hand of the director cannot be overlooked.

So with that said, me and Fairytale are a thing now.

With Nocturnal Fervour
-Me